Coastguard Studio this past weekend was host to it’s fifth (if I remember right) exhibition in a matter of six months or so, this one being a spin-off show to to the hugely successful Under the Spotlight exhibition earlier this year. Under the Spotlight | Photography brought together 30 photographers who are either based in Portsmouth or have strong ties with the city and the large open plan gallery space was packed full of diverse and engaging work.
I started off in the bar area, grabbing a beer and then checking out the panels lining the walls to this back space of Coastguard Studio. The first series that caught the eye were a pair of medium format, multiple exposures by Matt Ankers. I’ve seen a lot of Matt’s digital and commercial work (such as Victorious) so it was great to see his more personal work. The two images complemented each other well with emotive seaside scenes shot locally. Great to see film well represented in the exhibition. Next door on the wall was a series of film-noir inspired portraits by University of Portsmouth student Harry Murphy. This small wall right from the get go showed the incredible diversity of work produced for the exhibition and the different backgrounds of the contributors.
Work by Matt Ankers.
Work by Harry Murphy.
Another eye catching and intriguing panel was by Deborah Holton. The panel of 4 matched images showed x-ray collections of objects found on beach walks, going back over a decade or more. Each individual beach collection was kept in a 35mm film canister and could consist of beach glass, stones, sand and more. The idea behind the project and the dedication and composition consistency elevated this work to a highly conceptual piece that I’m sure inspired a few people to consider striking up their own ambitious concepts and projects in the future.
Work by Deborah Holton.
Also in this space were works by Andrew Hayward whose photography we’ve featured on a few occasions on Strong Island. On display were a small set of Andrew’s personal project capturing the oasis feel of service stations at night (also recently exhibited in a solo show with Aspex Gallery and Portsmouth Guildhall). The different garages shot in the same compositional style created a sense of consistency in the panel, drawing the eye in to discover more about the lit forecourts and bringing to mind the memories of late night road trips with friends and finding a sanctuary of fuel for the car and for the passengers. We’re actually exhibiting Andrew’s latest project in Strong Island Co very soon, keep an eye out for details.
Also shown in the room was work by Billie Cawte with her series of photos of projections shot around Portsmouth. These carefully considered images matched a location with a projection of a vintage image, shot at night, instilling a sense of continuity of a sense of place extending beyond normal, individual perceptions of time. These also, in a pleasantly strange way, bring to life forgotten functional corners of buildings. There was lots more to see in this space with other work by local photographers, I spent a little more time looking around before moving in to the large, open main exhibition space.
Straight away it was great to see the place so busy. It was early-ish on the Saturday night and the place was full of people of all ages checking out the work and chatting. Its always great to take a step back in an exhibition and just see people enjoying it. There is way too much work to go through individually here but a few panels really caught my eye for very different reasons. In one corner were a series of 360 images taken by Guilhem Brandy which showed different, familiar, spots around the city in an interesting new way. Changing up perspectives of familiar places is something I personally really like and this series from Albert Road, Southsea Seafront, Garrison Church and Guildhall Square drew you in to find out more.
One of the many great things about a shared exhibition is that the work touches on so many different subjects, drawing out many different thoughts and feelings from the people viewing the work. In a matter of a few steps you could take in the B&W film street photography by Matt Maber exploring the physical, social and cultural boundaries of Fratton Park on a Saturday afternoon through to the questioning and bold nudes by Ashton Keiditsch. In particular the powerful image of a lady with a partial mastectomy meant that the exhibition tackled some heavyweight subjects and these honest and questioning portraits looking at contemporary body image issues rightly raised discussion. The work reminded me of the recent series by Bryan Adams and also The Battle We Didn’t Choose.
Work by Ashton Keiditsch.
Also panels that caught the eye included: the photos of Diana Goss whose work has a foot in each of her professions: photography and psychotherapy, the long exposures by both Elmer Maniebo and Jon Neil, the portraits by Aaron Bennett, the views on old age by Yasmin Collins and so, so much more. Hopefully the photos below give you a glimpse.
If you want to see the work in person the exhibition is open until Friday from 12pm to 2pm. Check the Coastguard Studio Facebook page for more information HERE.